THE KNOWLTONBook / Inquire
The renovated Boathouse empty in daylight, wood trusses, white brick and garage-door windows
The Wilder Gallery window row and white columns over the glossy open floor in daylight
Studio corner set up for photography with a gray seamless backdrop and daylight from the door
Photo, Film & Video

An 1865 mill, 60 miles from Manhattan.

Three shootable rooms, a working industrial campus, a mural park and a river, with the parking and load-in that a crew actually needs. Express trains and Amtrak run to Bridgeport, so a crew can arrive without a car. Booked by the day for stills and video, and open to location scouts for larger productions.

One Building, Many Looks

You can shoot a warehouse, a gallery and a waterfront without moving the truck.

The Knowlton is the former Armstrong Manufacturing works: original hardwood, exposed brick, steel sash windows, industrial corridors and a 27-foot peak. Outside there is a river, a deck, a 30,000 square foot lawn and nine large-scale murals. Locations that would take three separate permits in the city are on one lot here, with 200 free parking spaces on it.

The Practical Part

A 14-foot beam, and doors a truck fits through.

The Boathouse carries a 14-foot beam that can be used to suspend from 27 feet to the peak, and three large garage bay doors open straight onto a 1,200 square foot deck over the river. Natural light all day through the steel sash windows, blackout as needed, and a lot that takes crew vehicles without a permit.

The Looks

What the building gives you.

Real rooms in the building, undressed. What you see is what a crew turns up to.

Daytime panorama of the arched wood-truss ceiling and tall factory windows over a seated audience
The Boathouse. Truss ceiling, daylight, nothing in the way.
The Wilder Gallery open floor with receding columns and glossy wood in daylight
The Wilder Gallery. Open floor, high ceiling, tall windows.
Studio corner set up for photography with a gray seamless backdrop and daylight from the door
A tenant corner set up for shooting, grey seamless in place.
Three garage bay doors of the Boathouse open to the dusk sky with the deck beyond
Three garage bay doors onto the deck, at dusk.
Studio with five arched windows and French doors on a wood floor
Upstairs: arched windows, French doors, original floors.
Craig Anthony Miller's elephant and hummingbird mural spans a full building wall at The Knowlton in Bridgeport, CT.
A full building wall, painted. One of nine across the campus.
The CrashOne and Tats Cru shipping-container murals side by side on the Pequonnock River waterfront at The Knowlton in Bridgeport, CT.
Beyond the Rooms

The rest of the lot is shootable too.

Nine murals by nationally known artists across the campus, a working waterfront on the Pequonnock, a river deck, a 30,000 square foot lawn, industrial corridors, a courtyard and the studio floors above. Scouts are welcome to walk the whole site.

For Location Scouts

Bring the production.

Feature, series, commercial or editorial: the campus takes larger productions, and we would rather talk early than fit you in late. Tell us the dates, the footprint and what you are looking for, and we will walk you through the whole site.

Start Here

Tell us about the shoot.

Dates, the rough size of the crew, and what you are trying to make. If it helps, say which room you have in mind, or ask us and we will tell you which one fits. Rates depend on the room, the day and the footprint, so we quote per shoot rather than publishing a rate card.

Enquire About a Shootor

Not booking an event? Studio and office leasing, press and everything else.

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